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The Contax AX is an innovative 35mm film camera, combining professional SLR performance with a truly unique autofocus system that moves the film plane instead of the lens. In this review, we put the AX to the test to see how its unique autofocus system performs in real-world use as well as highlighting camera specs and a quick guide to using this innovative autofocus method.
At first glance the Contax AX looks like a fairly conventional professional 35mm SLR. Introduced in 1996, it accepts the legendary Carl Zeiss Contax/Yashica (C/Y) mount lenses, offers advanced metering, multiple exposure modes, and solid build quality. Inside is a very unique autofocus system.
Instead of moving the lens to achieve focus, the Contax AX moves the entire film plane. With a Zeiss 50mm f/1.8 and a roll of Kodak Gold 200, we took the Contax AX for a quick trip around our downtown San Rafael block.

Nearly every autofocus camera works by adjusting the position of the lens elements. This requires the autofocus lenses to be equipped with motors or mechanical couplings.
The Contax AX took a completely different approach.
When you half-press the shutter, the camera measures focus using a phase-detection autofocus sensor. Rather than turning the focusing ring, the camera physically shifts the film plane- and the autofocus module with it- forward or backward inside the camera body by up to approximately 10mm. With the optional data-back attached, you're able to see this motion through the window.
Because changing the distance between the lens and the film changes focus, the camera can autofocus while the lens itself never moves.
This novel approach didn't gain much traction, but without question, it gets the job done. We found it to be quick and sharp- especially when compared to cameras of the same era.

Using the Contax AX is surprisingly simple. Mount a Contax/Yashica manual focus lens, select your exposure mode, and half-press the shutter. The camera uses phase-detection autofocus, then moves the film plane- not the lens- to achieve focus.
In most situations, you can leave the lens at its current focus setting and let the AX do the work. If your subject is much closer or farther than where the lens is currently focused, you may need to roughly adjust the focus ring so the camera falls within its autofocus range. Once it's close, the AX takes over, giving manual-focus Zeiss lenses genuine autofocus capability unlike any other 35mm SLR.

The AX wasn't simply built around an unusual autofocus system. It was also a very capable camera in its own right.
It features shutter speeds from 1/6000 second to 30 seconds plus Bulb, a 1/200-second flash sync speed, evaluative, center-weighted, and spot metering, aperture priority, shutter priority, program, and full manual exposure modes. It also includes a bright pentaprism finder and motorized film advance up to about 5 frames per second.

The Contax AX arrived late in the film era (the same year as the Nikon F5) and was expensive compared to competing autofocus systems. Most photographers looking for autofocus simply bought cameras designed around autofocus lenses.
Today, however, the AX has become something of a cult classic. Collectors appreciate it for its unique engineering, while photographers love pairing it with some of the finest manual-focus Zeiss lenses ever made- without giving up autofocus.
Even decades after its release, no other production 35mm SLR has used the same film-plane focusing system. At Seawood, we still see a high demand for these innovative cameras with a few entering our inventory each year and typically selling quickly.